In the western world the existence of things is often measured by the ability to see and touch them. I tried to challenge this idyll by creating forms that had reason to exist in the decomposition and delocation of their own parts. Social sculpture exists despite the impossibility of being present in the complete sense of its global form; it exists in the form of hundreds of parts which, atomized in the domestic environment, are transformed into knobs, supports, handles, etc.
I call “Applications” the planted parts that will grow progressively until the modules of the sculpture are exhausted, of which only the base will remain.
It is an unstable sculpture like its base that characterizes it and gives birth to it: a sphere,… a point, the smallest part of matter and imagination.