Forme di comportamento.
Non morirò mai interamente

Can art be “whatever form of action in so much proof or enhancing of its creative talent power, and of its communicative power in the aesthetic field”,[1] still?

Can art, in its traditional structure, promote culture and support experimental research?

Is it still possible for art to be provocative or does it have only to be observation and ascertainment?

Can art exist and be recognized even if there is not an art work (object)?

Can a work of art coincide with the idea and the idea its self be the work of art?

Can an artist live and express his/her self or does he/she have to renounce art?

Can the artist existence be his/ her great work of art?

Can the artist answer all of these questions or should he/her wait a while longer?

Can the spectator answer all of these questions or should he/she wait a while longer?

freedom (acronym libertate or libertade) s.f. A state of autonomy essentially perceived as a right, and as such guaranteed by a precise will and conscience of a moral, social, or political nature: to conquer, maintain, and claim freedom; freedom must not degenerate into license I gen. The situation relating to the absence of constraints or limitations (freedom of choice; freedom of the seas) or, extens., of commitments or ties (work never leaves me free for a moment), or even, simply, of obstacles, impediments, restrictions, or prejudices (freedom of opinion, speech, or vote); it can also refer to the contingent idea of ​​ease, comfort (to being, being free) or be found in polite formulas that introduce a personal opinion or action (excuse me if I take the liberty of making an observation) I Negatively, an act or episode that reveals a lack of control or restraint, attributable, in social relationships, either to excessive confidence or to a lack of respect: taking liberties with superiors. [from the Latin Libertas -atis].[2]

Montecchio M., Vicenza (Italy), March 12, 1993

[1] Devoto-Oli, Dictionary of the Italian language.

[2] “op. cit.”