Untitled, 2006. Tracing paper on vintage photo, 18 X 23 cm.
Untitled, 2006. Tracing paper on vintage photo, 17.4 X 23.3 cm.
Untitled, 2006. Tracing paper on vintage photo, 13,8 X 11,2 cm.
Untitled, 2007. Tracing paper on vintage photo, 17.8 X 24 cm.
Untitled, 2007. Tracing paper on vintage photo, 12 X 18.3 cm.
Untitled, 2007. Tracing paper on vintage photo, 12.9 X 18.4 cm.
Untitled, 2007. Tracing paper on vintage photo, 15.9 X 22.7 cm.
Untitled, 2007. Tracing paper on vintage photo, 18 X 24.2 cm.
Untitled, . Tracing paper on vintage photo,
Untitled, 2007. Tracing paper on vintage photo, 5.7 X 8.3 cm.
Untitled, 2007/08. Tracing paper on vintage photo, 10.2 X 14.5 cm.
Untitled, . Tracing paper on vintage photo,
Untitled, 2009. Tracing paper on vintage photo, 17.9 X 12.9 cm.
Untitled, 2009. Tracing paper on vintage photo, 17.8 X 23.8 cm.
Untitled, 2010. Tracing paper on vintage photo, 18.3 X 24.1 cm.
Untitled, 2010. Tracing paper on vintage photo, 8.9 X 13.8 cm.
Untitled, . Tracing paper on vintage photo,
Untitled, 2007. Tracing paper on vintage photo, 9.6 X 7.6 cm.
Untitled, 2008. Tracing paper on vintage photo, 24.2 X 18.2 cm.
Untitled, 2008. Tracing paper on vintage photo, 13 X 17.8 cm.
Untitled, 2008. Tracing paper on vintage photo, 15.5 X 22.2 cm.
Untitled, 2008. Tracing paper on vintage photos, 22.5 X 16 cm.
Untitled, 2009. Tracing paper on vintage photo, 9.9 X 7 cm.
Untitled, 2009. Tracing paper on vintage photo, 12.6 X 17.5 cm.
Untitled, 2009. Tracing paper on vintage photos, 24.5 X 18.2 cm.
Untitled, 2009. Tracing paper on vintage photo, 18.1 X 23.9 cm.
Untitled, 2010. Tracing paper on vintage photo, 17.8 X 23.3 cm.
Untitled, 2011. Tracing paper on vintage photo, 16.5 X 23 cm.
Untitled, 2011. Tracing paper on vintage photo, 13.5 X 8.5 cm.
Untitled, 2011. Tracing paper on vintage photo, 18 X 24 cm.
Angolo del saluto. Collages
Collages
2006 > 2011
Collages on original photographs,
variable measures.
I continue to highlight volumes of air that are the consequence of a gesture. Blows of air, which move the effect of the gesture away from the place of action and which therefore tend to escape from view.
The artist has the task of making visible what is happening in the world. He has the task of translating the unspeakable into an image, what would otherwise escape observation and then reality.
I am not concerned with history, as one might trivially suppose, but with the contemporary. I observe things that do not become images and that therefore seem not to exist … I observe things that, if dangerous, are even more so when they are not seen.